Thursday, November 13, 2008
Thank you Keith Olbermann
...and thanks to my sister, Samantha, and Uncle Beefy, at The Bedlam of Beefy, for the heads up about this articulate, fearless and intelligent commentary from Keith Olbermann from msnbc! It's almost Friday!
Labels:
Liberty and Justice
The Allure of Underwater Vases






Labels:
Collecting
Wednesday, November 12, 2008
Pure Style and Grace—Jeremy Hackett




Labels:
Fashion,
Mr. Peacock Icons
Tuesday, November 11, 2008
BESTOW gifts on your loved ones









Labels:
Retail Goodies
Monday, November 10, 2008
Confessions of a Dish Queen
Okay, okay... I admit it, I’m a dish queen! I would buy a plate or teapot here and there, and “hide” them from my partner (“…why do we need another plate?")...that is until I had him read this article from the New York Times. You can be straight or gay, male or female and be a dish queen. I can trace my dish obsession back to when I was a toddler. Whenever we stopped by my paternal grandmother’s (Opal) house, she would let me drink Cambric Tea out of “my own” special porcelain demitasse cup and saucer, while I would sit in my high-chair. This demitasse cup and saucer wasn’t just some plain ordinary throw away piece of porcelain either. The saucer had a scalloped edge that I loved to run my little fingers around, with a circle of basket weave texture and a ring of hand-painted flowers with a cream color background. The cup also had scalloped ridges running around the perimeter, and a ring of basket weave texture with painted flowers. FYI: for you fellow hard-core dish queens, the pattern is SIM6 by Simpson Potters Ltd, from Cambridge, England, circa 1940's.
The demitasse (above) that started it all! The cup is only 2.25" high x 2"diameter, and the saucer is 4.5" diameter. I remember even as a child, thinking how much I liked this little cup and saucer, and how special I felt drinking out it. I always carefully placed the cup down onto the saucer and would listen for the delicate “clink” the cup made when it came to rest.
Here’s a few of my favorite black and white plates from my collection. The provenance or cost (cheap or expensive) of the china is irrelevant to me, but it's mandatory that I adore each piece and be able to use it. I don’t want pieces that are too precious or fragile to use. Yes, I’ve had a few broken casualties, but I usually find something better as a replacement. I’ve severely edited my collection over the years to just white porcelain, and black and white porcelain. I consider each piece of china to be like a work of art.
This French rebus salad plate, one of six different versions, I found at Williams-Sonoma years ago. It says, "quand le coeur est bon, tout peut se corriger," which means "when the heart is good, all that is good will follow." I love that!
Another Williams-Sonoma plate, features the Satirical Art of William Hogarth (1697-1764). There are six different bread and butter sized plates in this set and I like this one the best. Sometimes Williams-Sonoma carries dishes that aren't featured in their catalog and are only available in limited editions at their larger stores, so you kinda have to dig around when you're at the store—you might find something special.
And of course I love Piero Fornasetti! This vintage salad plate is one of four different birds I own. I think these Fornasetti plates inspired the D.L. & Co. Love Bird plates.
This vintage transferware luncheon plate was my grandmother LaViolette's plate, and she got it from her mother, Pearl. The pattern is Palestine from Adams China, I think it's from the 1920's or maybe earlier.
This Italian dinner plate, is one of four different styles. I purchased them at Bloomingdales, when I lived on the Upper East Side in Manhattan around 1994.
I know the memento mori trend has run its course, but I still love this dessert plate I found last year at Urban Outfitters. The housewares at UO are really cute and at a great price point. I wish I would have purchased more of these babies. Stay tuned, over time I will share more of my dish collection.

Here’s a few of my favorite black and white plates from my collection. The provenance or cost (cheap or expensive) of the china is irrelevant to me, but it's mandatory that I adore each piece and be able to use it. I don’t want pieces that are too precious or fragile to use. Yes, I’ve had a few broken casualties, but I usually find something better as a replacement. I’ve severely edited my collection over the years to just white porcelain, and black and white porcelain. I consider each piece of china to be like a work of art.






Labels:
Collecting,
Home Decor,
Vintage
Sunday, November 9, 2008
The Comfort of Cambric Tea


2 cups milk
2 cups water
2 Earl Grey teabags
2 or 3 teaspoons of sugar (to taste)
Place the cold milk and water in a saucepan and bring just to the boiling point. Be careful and watch it, so it doesn’t steam up and boil over the pan. Then add the teabags and cover with a lid. Let it steep about 5 or 10 minutes. Remove the bags and stir in the sugar. Pour into a teapot and enjoy your Sunday!
Saturday, November 8, 2008
Fifth Grade Embroidery School
My maternal grandmother, LaViolette, taught me how to embroider and needlepoint when I was 10 years old. In the fifth grade, and I don’t remember exactly how it came about, my teacher, Miss Mallander, allowed me to work on my embroidery and needlepoint projects during class. So whenever Miss Mallender was lecturing or reading, or I had a lull in my schoolwork, I was busy stitching away at my desk. Miss Mallander didn’t allow anyone to make fun of me either, and surprisingly no other kids ever teased me about embroidering during class. Thank you Miss Mallander! And the funny thing is, my first project was a needlepoint kit of a big pink elephant (how gay is that?), that my mom let me pick out on my own at the sewing shop. I still enjoy embroidering, however, I don’t needlepoint—it’s just too boring doing the same stitch over and over. There are so many different stitches in embroidery and it's fun. I’m particularly fond of French Knots.
Here’s my latest embroidery project. I used sailor tattoos and nautical ephemera as my inspiration.

There’s anchors, sailing knots, swallows and of course a merman. What do you think?
My grandmother, LaViolette, embroidered this pillow in the early 1970’s. I love the color palette she used and the shapes. She used mostly the chain stitch to create the entire piece. This pillow is currently in my home and I think it’s even more stylish today than in the 1970’s.




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